FilmWonk Podcast – Episode #187 – “The Suicide Squad” (dir.FilmWonk Podcast – Episode #188 – “Dear Evan Hansen” (dir.Jeff Nichols’ “Take Shelter” (2011) (presented by 10 Years Ago: Films in Retrospective).Wes Anderson), “Last Year at Marienbad” (1961) (dir. FilmWonk Podcast – Episode #189 – “The French Dispatch” (dir.FilmWonk Podcast – Episode #190 – “Eternals” (dir.FilmWonk Podcast – Episode #191 – “The Power of the Dog” (dir.Michael Pearce) – A family roadtrip through a demon-haunted world Posted in Podcast Reviews, Reviews, Uncategorized | Tagged A Walk Among the Tombstones, Astro, Ólafur Darri Ólafsson, Dan Stevens, David Harbour, Liam Neeson, Movies, Podcasts, Scott Frank | 1 Comment Listen above, or download: A Walk Among the Tombstones (right-click, save as, or click/tap to play on a non-flash browser) Lance Dodes, who claims that AA’s success rate is as low as 5-10%. We referred to the lackluster success rate of Alcoholics Anonymous – for reference, check out this NPR interview with Dr.But we actually mixed in a detail from this article (from an anonymous writer), about how drug dealers are often not the people you expect.
#David harbour the equalizer cracked#
We referred to a recent Cracked article about a convicted drug smuggler, now out of prison, who is now a professional speaker – that was this one, from Brian O’Dea.The last (and only other) film in which we saw Brian “Astro” Bradley was Earth to Echo – check out our podcast review here.The two detective characters that were name-dropped in the film were Sam Spade and Philip Marlowe (created by Raymond Chandler, whom we mistakenly mentioned instead).Check out his other artwork and blog over at Catastrophic Shift. Joining us for this week’s episode is Seattle artist Jason B., who will happily sell you a delightful pop-art print (or a mug) of Daniel’s mug here.Music for tonight’s episode is Nouela‘s cover of “ Black Hole Sun“, from the film’s trailer.This week on the podcast, Glenn and Daniel take a leisurely stroll through a pretty well-executed genre exercise by writer/director Scott Frank ( The Lookout). Listen above, or download: The Equalizer (right-click, save as, or click/tap to play on a non-flash browser) With apologies to Ronda Rousey – Glenn’s just not an MMA guy.And one consistent factor for any type of nail gun is that the safety catch prevents the gun from firing unless it is pressed against a surface – a mechanism that can be easily bypassed by the user, but doesn’t allow for the cool one-handed shooting that McCall pulls off in the film. While these videos definitively show that a nail gun powered by compressed air is not an effective distance weapon, we were unable to find a video that demonstrated the same limitation for a powder-actuated tool. We found several videos testing the lethality of nail guns at a distance, including one from Mythbusters, and another fairly robust (albeit windy) test from YouTuber pilgrimfarmer. 22 Short cartridges – minus the bullets – are used to power the mechanism). We correctly noted that this is the equivalent of a 22-caliber bullet (in fact, in some cases, actual.
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a nail gun that uses gunpowder as its mechanism of propulsion to shoot construction nails.
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One of the various improvised weapons we see McCall use in the film is a powder-actuated nail gun – i.e. Brace yourself, because we’re about to get our CinemaSins on here.We discussed the slow-motion fights in the 2009 Guy Ritchie version of Sherlock Holmes – check that out here (slow-mo begins at about 1:30).Check out a Showtime featurette here – gives a good sense of the film. We referred to the 2000 John Singleton film Shaft, starring Samuel L.The Philadelphia diner painting we referred to is Nighthawks, by Edward Hopper.Music for tonight’s episode is “ Sixteen” by The Heavy, from the film’s soundtrack.This will be the second film in as many weeks we end up comparing to Taken, and this time, it may not be to the film’s advantage (28:52). This week on the podcast, Glenn and Daniel witness the reunion of Denzel Washington with Training Day director Antoine Fuqua – as well as a return to general badassdom – in The Equalizer.